5 Things Cities Can Learn from Burning Man

While volunteering at Media Mecca, I met fellow New Yorker Craig Duff, who is the Director of Multimedia for Time. He produced this thoughtful clip, “5 Things Cities Can Learn from Burning Man.”

One additional unmentioned lesson from Burning Man is the capacity for individuals to forge new connections or sustain old connections, whether it’s through attending an art performance, a celebratory bonfire, volunteering, or casual conversation. I find this a striking contrast with conventional cities, where most exchanges are funneled through monetary exchanges. I’m not saying that monetary exchanges are bad, but these provide limited opportunities for individuals to interact. The chance to sit down and have an extended, enjoyable conversation with someone is priceless.

Routines and serendipity at Burning Man

Like previous years, while at Burning Man this year, I volunteered at Media Mecca, where the press check-in to sign paperwork outlining their responsibilities, get their cameras tagged, and socialize. Each year that I volunteer, I learn a new routine, new policies, and make new acquaintances. I find these changes refreshing and reinvigorating – the ability to forget old routines or rules that no longer apply and learn new ones tailored to current circumstances is easier to do at the Burning Man event since it only meets once a year. In other words, the temptation to ritualistically follow outdated routines is diminished for a yearly event, as people don’t practice these routines everyday.

Moreover, chance meetings with people often lead to wonderful discoveries. For example, while volunteering at Media Mecca, I finally met Sunny Minedew, the filmmaker whose documentary I referenced on p. 139 in the paperback version of Enabling Creative Chaos. In addition, I got the chance to chat with Bill Talen, the performance artist more popularly known as Reverend Billy. I was especially tickled to meet Rev. Billy, as I’ve used Starbucks’ memo about how their employees should act when visited by Rev. Billy and his Church of Stop Shopping as an exam question about routinization for my sociology of organizations class. Rev. Billy was gracious enough to gift me with his documentary and music. I look forward to finding out what happens when Rev. Billy and his group descend upon the Disney amusement park.

Burning Man: Sowing the Seeds for Organizing

One of the most interesting post scripts to my research is that Burning Man volunteers have learned to establish and run their own formal organizations. For instance, when I studied the Burning Man organization, one of its departments included the Black Rock Gazette, which published a daily newspaper. (I published an article in the “Decompression” edition back in 2003, which you can access here.) Not only did Black Rock Gazette volunteers work on late-breaking news on the playa under primitive conditions, but they also drove to Reno to pick up the papers from the printers and rushed them back to Black Rock City each day. In 2005, organizers decided to eliminate the Black Rock Gazette.

However, Black Rock City still has a newspaper! Former Black Rock Gazette volunteers formed their own organization and newspaper, the Black Rock Beacon. If you’re interested in volunteering for them, you can find out more about their activities here.

Building Black Rock City

Around the same time that I was doing my research, Susan Barron made an in-depth documentary about the efforts of the Dept. of Public Works (DPW), which builds and takes down the temporary infrastructure for Burning Man. You can find out more about her documentary here and here.

John Curley is blogging about the building of the 2009 Black Rock City here.

Dealing with heightened expectations

Recently, the Electronic Frontier Foundation criticized Burning Man’s policy on rights to images taken at the Burning Man event. This criticism led to a heated discussion on boingboing. Burning Man representative Andie Grace, aka Actiongrl, has responded on the Burning Man blog here, which has been linked to a follow-up post on boingboing here.

While I can’t comment on the legal aspects of this matter since I’m not a legal expert, I can point out what I find fascinating about such controversies. People have opinions about what they think an organization should or shouldn’t do, including what legal form and practices an organization should adopt. And, people state their opinions, irrespective of whether or not they have any experiences with a particular organization, as demonstrated by comments on the boingboing discussion threads.

Expectations for “appropriate” activities are heightened for organizations like Burning Man, which depend on volunteer labor, pursue distinctive missions such as social change, and have high visibility because of media coverage. When confronting such expectations, organizations have to make a decision – do they address, much less acknowledge, such expectations? If they don’t respond to criticisms, they may lose their legitimacy from their constituents or the general public.

In responding to criticisms, the Burning Man organization has made a number of changes, including publishing their finances and making activities more transparent. On the other hand, they have also defended policies that they believe are needed to protect the Burning Man event from co-optation by other interests.

What would life be like if people demanded similar accountability of all organizations, and organizations responded? Northwestern B-school Prof. Brayden King discusses how this process works (and doesn’t work) here.

Burning Man art in the “real” world

During the time that I studied Burning Man, artists built large pieces for the event but then could not find a permanent place for them. Adequate storage space is a problem, and museums and other institutions may not have the capacity or desire to properly care for items. Nevertheless, some of the artworks that debuted at Burning Man have now found more permanent homes, where they can be appreciated by even more persons.
I’m very pleased to report that one of the artworks featured in a black and white photo in my book now resides in Toronto, Canada. For Flickr images of Michael Christian’s sculpture Koilos in a mainstream, urban setting, click here.