Comparative article on Burning Man and open source projects now available

August 24th, 2010

The folks at Emerald gave me permission to post a PDF of my 2009 Research in the Sociology of Organizations article “Differentiating Organizational Boundaries” on my personal website here. Click the name of the article to download the PDF, or click the name of the journal to learn more about the other articles. For those of you who are not familiar with RSO, it’s a specialty journal that features cutting edge research on organizations. This paper, which I co-authored with Siobhan O’Mahony, was chosen as Outstanding Author Contribution Award Winner at the Literati Network Awards for Excellence 2010.

Betting – just another form of public performance?

August 20th, 2010

Yesterday’s WSJ featured an Onion-esque article and video about college students placing bets, via a newly formed company, about whether they will earn a high or low grade or GPA:
“Two New York entrepreneurs are offering college students the chance to put their money where their grades are.

Stephanie Banchero has details about a new web site that’s trying to build a business by laying out the odds of student performance, allowing students to bet on (or against) their future grades.

Their website lets college students place wagers on their own academic performance, betting they will earn, say, an A in biology or a B in calculus. Students with low grade point averages are considered long shots, so they have the opportunity to win more money for high grades than classmates with a better GPA.

The pair of recent college graduates who founded Ultrinsic.com say they hope to turn a profit and inspire students to work harder. “It would be great if everyone was intrinsically motivated to get good grades, but that’s, like, not reality,” said Jeremy Gelbart, a 23-year-old co-founder of the site.”

Like some of the quoted horrified education officials, my reaction bordered on queasiness about the unintended consequences of students wanting to bet on their grades. For those who bet on poor outcomes, this could inadvertently foster a self-fulfilling prophecy or promote point shaving (or alternatively for those who bet on high grades, grade grubbing for higher, undeserved grades – the bane of many a professor). The financial payoffs noted in the article are relatively small; $156 from two wagers might buy one round of drinks for buddies in an expensive city.

Although the article notes that the company may soon run afoul of state laws, the phenomena of wagering on seemingly sacred matters is not limited to undergraduate majors in business. The world of finance thrives on constant betting, from friendly bets among co-workers about consuming large amounts of junk food in a specified time period* to larger ones involving your retirement portfolio.

On a more important note, wagering is a way of making a commitment “public,” something that privately-shared grades don’t do. However, we do have other ways of making our commitments and performance public and, even better, inviting constructive feedback and affirmation. In architecture and design, the end of semester culminates with projects presented before other exhausted students and guest critics. In research, people give oral presentations or disseminate their findings in peer-reviewed papers and books. At Burning Man, contributors witness firsthand how much fellow participants enjoy sharing their art, theme camps, and interactions.

*See anthropologist Clifford Geertz’s seminal “Deep Play: Notes on a Balinese Cockfight” as a comparison.

Academic meet and greet Fri., Sept. 3, 2010 at Burning Man

August 18th, 2010

The latest Jack Rabbit Speaks, the official email newsletter for Burning Man, has the following announcement:

“GET BRAINY WITH BURNING MAN: A MIXER FOR ACADEMICS FRI 9/3 2:30-5:00 PM

Have you published an article about Burning Man? Written a book on BRC? Do you teach at a university or are you enrolled in an advanced degree/phD program? Do you have a subscription to academic libraries?

In short…are you a Burning Nerd? We want to meet you! Join us for a small cocktail meet and greet in BRC. Friday, 2:30-5 PM (location TBA). Meet members of the Burning Man organizing staff and mingle with other academics studying Burning Man from intellectual angles!

Please RSVP to academics [at] burningman [dot] com for your official invitation with location details and other info as it develops.

Can’t make it, but want to make sure you and your work are on our radar? We’d love to hear from you: academics [at] burningman [dot] com.”

I will be there, and I look forward to catching up with old colleagues and meeting new ones!

Next short talk stop: Sun., Aug. 15, 2010 at the American Sociological Association in Atlanta, GA

August 12th, 2010

My next American Sociological Association conference talk (about 15 minutes) is on Sun., Aug. 15, 2010, sometime between 12:30-2:10pm EST in the Atlanta Marriott Marquis at 265 Peachtree Center Avenue Northeast in Atlanta, GA.

The Great Metropolis Face-off, Burning Man vs. the Big Apple (and others), round 9: waiting in line

August 10th, 2010

As a recent NYTimes article describes how norms about public space and waiting in line can change:
“There is a feline quality to standing in Indian lines. Certain parts of the man behind you — you don’t know which — brush against you in a kind of public square spooning, the better to repel cutters. (Women do less touching.) Still, this is no deterrent to cutters. They hover near the line’s middle, holding papers, looking lost in a practiced way, then slip in somewhere close to the front. When confronted, their refrain is predictable: “Oh, I didn’t see the line.”

But in a churning India, the line has new resilience. Businesses are becoming vigilant about enforcing queues, and a growing middle class, more well-off and less survivalist, is often less eager to cut.”

A recent trip abroad reminded me that, relatively speaking, waiting in lines in the U.S. tend to unfold as relatively civil affairs. Most people maintain a respectful distance from others and line up in order. (This is, of course, excluding the occasional tragic shopping stampede or bad subway car manners in the Big Apple.) At Burning Man, waiting in line offers social or artistic opportunities, with the inspired endeavoring to make otherwise humdrum waits memorable. What if your local airport applied such concepts? How might your experiences with going through security be different?

Lee Gilmore’s Theater in a Crowded Fire: Ritual and Spirituality at Burning Man now available

July 10th, 2010

Religious studies scholar Lee Gilmore’s book and dvd about spirituality at Burning Man, published by University of California Press, is now available. This book should appeal to those generally interested in Burning Man, as well as academics and students in ritual studies, religious studies, anthropology, sociology, art, and American Studies. Click here and here to find more links about her work.

The spread of interactive art to Governors Island, NYC

June 29th, 2010

Two weekends ago, I biked to the free ferry that runs between Manhattan and Governors Island, the latter of which is open during the summer through early fall. My purpose: participate in FIGMENT, an interactive art exhibit organized by local artists and inspired by Burning Man principles. After stuffing my bike onto one of four bike racks lined up in the carport part of the ferry, I pedaled my way around the island, stopping at art exhibits (plus a distant view of the Statue of Liberty) and performances along the way. Even though FIGMENT is now gone, the mini-golf course and other installations remain through Oct. 2010. A bike isn’t necessary to explore Governors Island (you can rent a bike or a multi-person bike); you can also easily walk the island by foot.

Here are two examples of the 2010 FIGMENT art installations:

Cradle made from an oil drum and military attire (like Rosemary's Baby cradle)

Stryofoam packing material recycled - a totem to consumer goods?

Burning Man’s PRECOMPRESSION Sat., June 19th in San Francisco

June 14th, 2010

For those of you in the Bay area, this is a chance to participate in a pre-Burning Man event in San Francisco. Bring your art, volunteer, and meet new friends!

“Burning Man presents a Mega-PRECOMPRESSION…
Launching our 25th BURNING MAN Season!!!
Saturday, June 19, 2010
8pm to 4am; Come early to avoid the line and not miss the fire performances!
At The Concourse Exhibition Center and parking lot next door
635 8th St (enter at 7th St & Brannan), SF, CA 94103

$25 Advanced sale here. $30 Door in costume/playa finery; $35 street clothes; 21+ over; Outside Fire Art & Sculpture Garden; Inside Art & Artifacts

Art • Music • Performance * Fire Artistry * Theme Camps * Art Cars * You!

A historic & spectacular night! Celebrate on the original Summer Solstice weekend it all began in 1986 with a fiery and festive Precompression event in the heart of San Francisco! Ramp up your Radical Self-Expression because tonight marks the launch of the 25th Burning Man season and we want YOU to pARTicipate!

Join MANY longstanding playa favorites! Look back at where we’ve come from and get a sneak preview of Metropolis 2010 projects and where burners are going as a global community and culture.

Music & Performances: Mutaytor; Copper Lantern Fire Theater; Soul in the Machine; Vau de Vire Society; Capacitor; MoPo; Nocturnal Sunshine; Space Cowboys (8ball, Deckard, Zach Moore, EricHz, Kapt’n Kirk); UBUV; Afrolicious; Pyronauts; Scot Jenerik; Hookahdome; Gooferman; Smoove; Fou Fou Ha!; Dex Stakker; Hybridz ‘R Us; Mancub; Bad Unkl Sista; ICON; Tom Jonesing; EO; The Fossettes; Hobo Gobbelins; Shredder Hoops; Metamorphosis Ballet; Imps of Sneth; Firish; Kiss & Tell; Dark Sparkle Burlesque; CaroLuna; Isopop; Monkey Chant; DJ Dragonfly; Vulcan Crew; Neon Bunny; Ian Michael Smith & Bliss Butterfly; Mo Corleone; Shovelman; Alt Tal; Justin Credible; Spiral; Magician Brad Barton; beatbox by One Mouth Band; Matt Jalbert; SatsiSonik; Whiskey Devil; Nancy Asiya Belly Dance; a Kidnap Fashion Show “curated” by Animal Control; and MEGA-many more!

Art & Artifacts: Jennybird Alcantara; Dana Albany; Maricela Alvarez; David Best; Bruce Beeley; Joegh Bullock; James Cole; Karen Cusolito; Dan DasMann; Tony Deifell; Chris De Monterey; Wally Glenn; Emma Hardy; Justin Gray; Flaming Lotus Girls; Flux Foundation; Al Honig; Laura Kimpton; Kinetic Cab Company; Lasers&Lights.com; Danny Macchiarini; Nightshade; Playaflies; Kitty Gordon; Jess Hobbs and Rebecca Anders; $teven Ra$pa; Pierre Riche; Mini Man & The Mini Man Crew; Brad Templeton; Todd Williams; Ben Zero; and more!

Art Cars & Camps: Playapus Corralus; Bed Rock Hot Rod Taxi; PhotoBoof; Tundra Bunny; Nautilus X; The UNIMOG; Black Rock Indie Fest; Peoples Spa; Workshop Corner; Earth Guardians; Little Shop of Horrors, Excellent Adventure Display, etc and HOORAY!

So, dust off that playa spirit and dress to express! This night is the focal point of a full month of celebrations and events leading up to our 25th Burning Man event and the year beyond. You won’t want to miss it! More info and schedules: www.burningman.com/special_events

Artists, art cars, non-sound theme camps, and acoustic performers still interested in participating, email: flambelounge@burningman.com. Especially string musicians to play unamplified in the sculpture garden after our sound permit ends outside.

To volunteer: SEvolunteers@burningman.com
www.burningman.com”

The Great Metropolis Face-off, Burning Man vs. the Big Apple, round 8: disorientation

June 4th, 2010

Black Rock City denizens quickly learn not to take their city for granted. A theme camp, art project, or landmark might be here one day and gone the next, disorienting those who rely upon such markers to return to their home camp. (A few may give up and choose to snooze elsewhere for the night.)

During a construction boom, cities like New York City also are characterized by transience. An empty lot or new construction often generates some head-scratching about what existed in that spot weeks or months before. Sometimes the changes are inexplicable, like the addition of a store devoted to plastic shoes to a historic townhouse. Preservationists still mourn the replacement of buildings like Penn Station.

For more changes in Manhattan, such as the conversion of Fifth Ave. from stately residential homes to stores/office buildings, see Max Page’s The Creative Destruction of Manhattan, 1900-1940 (1999, University of Chicago Press). For perspective on more recent changes, see Sharon Zukin’s Naked City: The Death and Life of Authentic Urban Places (2010, Oxford University Press).

Burning Man film festival in San Francisco, June 12-13, 2010

May 27th, 2010

For those of you in San Francisco, you have the chance to celebrate Burning Man’s history via film. Films include a documentary about the artist David Best, who constructed the temple that appears on the cover of my book!

Please read the official press release below:

“Burning Man Film Festival-San Francisco: A Unique Two-Day Film Retrospective to Commemorate 25 Years of Burning

(San Francisco, May 26th, 2010)—The Official Burning Man Film Festival will showcase 20 short and feature length films when it takes place on June 12-13, 2010 in San Francisco. The Film Festival will offer theatergoers a unique look at Burning Man through the eyes of filmmakers who’ve documented various aspects of the Burning Man event and culture throughout the years. Saturday’s “Then” line-up will feature films shot between 1991 and 2004 and Sunday’s “Now” queue boasts an array of films shot from 2002 to 2010. The festival will be held at the Red Vic Movie House at 1727 Haight Street, SF, CA 94117.

“This festival is a rare and unique opportunity to see Burning Man from the beginning,” said festival co-producer David Marr. “[The Film Festival] is a chance to see how [Burning Man] was created and what effect it has on us today.”

Program highlights include a Midnight screening of Juicy Danger Meets Burning Man by David Vaisbord on Saturday evening with a cocktail party, roving performers, and a grand raffle. On Sunday, David Best, known for his elaborate temple structures at Burning Man will be available for a Q & A before the screening of The Temple Builder, a film by Dearbhla Glynn and April Blake that looks closely at David Best’s life and work.

To view the Burning Man Film Festival-San Francisco program, visit www.burningman-filmfest.com.

The Burning Man Film Festival-San Francisco is one of several special events coming up in June to kickoff a year-long celebration of 25 years of Burning Man. For more information on upcoming events, please visit www.burningman.com.”