The Great Metropolis Face-off, Burning Man vs. the Big Apple, round 7: living the dream

The Big Apple, thanks to a rehabbed image (i.e., I heart NY), now inspires visitors and denizens to live the dream. Visitors avidly pursue a checklist of the hot restaurants, coffee shops, clubs, museums, shows, and parks that they should patronize, lest they miss out. Others imagine that their social and cultural lives will improve with a move to the big city. For those of us who live and work here, enjoying NYC’s amenities requires effort, particularly when coping with a demanding career and other responsibilities.

Recently, two Burner friends and their 1.5 year-old baby visited NYC. Normally, we only get to visit while living and volunteering at Black Rock City, so it was interesting to duplicate some activities with them in the Big Apple.

Getting together with a bunch of people in…
…the Big Apple: everyone arrived between 20 to 40 minutes late due to public transportation, work, etc.

…Black Rock City: everyone rolls in on playa time.

Enjoying participatory art in…
…the Big Apple: We visited the Museum of Modern Art (MOMA) where the baby’s presence triggered interactions and reactions that even the notoriously “odd” sociologist Erving Goffman or performance artist Marina Abramovic’s participatory art could not provoke. One person immediately bestowed upon my friends an extra, free ticket that they couldn’t use. Several patrons smiled at the baby, including two young women who turned away from watching Abramovic at work to interact with the baby. Two different security guards, a man and woman, both cooed at the baby. However, a few patrons displayed or verbalized their displeasure within earshot of my friends when the baby let out a few complaining noises. To soothe the baby, my friend pushed her stroller around me and Abramovic’s vehicle; she counted off the circles, in homage to one of Abramovic’s performances.

…Black Rock City: lots and lots of art, small and large, that don’t involve climate control, guards, or a bag check.

Finding a bathroom in:
…Black Rock City: relatively easy, just look for the colorful banks of portable toilets and bring your own hand sanitizer.

…the Big Apple: not-so-easy, after a fruitless stop at a fast food restaurant, we had to go to a friend’s apartment.

Learning about art-making in:
…Black Rock City: easy, just walk up to the artist and ask. Maybe s/he will give you a lesson.

…the Big Apple: possible if friend whose apartment you need to visit for the bathroom happens to be a working artist.

Commuting in:
…Black Rock City: easy to walk, bike, or hitch a ride with an art car. Bicycling is a lot of fun under the starry sky.

…the Big Apple: involves lugging a baby carriage up and down the stairs because some subway stations don’t have working elevators, triggering a group effort. No stars, unless you pass by a movie set on the way.

Our friends have returned home after a whirlwind visit; hopefully, we will get to repeat our activities in Black Rock City.

Worm’s eye and bird’s eye perspectives of the metropolis

While in graduate school, I took a class with Prof. John Stilgoe. One lesson learned was how a particular perspective alters the experience of the landscape. For example, Spanish explorers experienced the Americas from the vantage point of horseback on land, while French explorers experienced the Americas from the vantage point of canoeing in rivers.

Even today, experiences of metropolis depend upon which point of view is adopted. In Black Rock City, I’ve walked, biked, and commuted by art car. The intrepid have also flown over BRC, or even sky dived and parachuted in. Conventional cities, such as New York City, offer more choice of perspectives. For instance, tourists are drawn to the bird’s eye perspective: the view from the Empire State building or a helicopter ride. (Note: there is a very practical reason why these helicopter rides are so short…think motion sickness.)

My preferred perspective is of the worm’s eye view of walking or inching along. This perspective allows for experiencing the city in a detailed, albeit slower and more manageable, pace. In contrast, public transportation via subway offers a targeted, subterranean experience, complete with rodents. Recently, I tried a new perspective: I rode a bicycle in Central Park, where most vehicles are prohibited. Whirling around the main loop in a vortex of competitive bicyclists, weaving past pedestrians, joggers, roller bladers, and horsedrawn carriages, reduced NYC to a form of hyperstimulated tunnel vision, much like driving or motorcycling. However, bike tours like this, in which roads are temporarily restricted to bicyclists, offer a more informed, leisurely sense of the city.

Finally, I close with one perspective of the city that humans don’t have direct access to, but must be a magnificent experience, even if it involves dive-bombing pigeons and other prey.

New York City's version of the birdfeeder