Posts Tagged ‘volunteerism’

Two peer-reviewed articles on (1) artistic prosumption and (2) the development of several departments within the Burning Man organization now available

Friday, May 4th, 2012

Two of my peer-reviewed journal articles about (1) the Burning Man organization and the arts and (2) the development of several Burning Man departments – the Black Rock Rangers, DPW, and the Tech Team – are now available in print and on-line.

You can also download some of my other academic and general publications and view links here. Please email me with a request if you or your institution does not have access to a particular article that is in print.

1. Chen, Katherine K. 2012. “Artistic Prosumption: Cocreative Destruction at Burning Man.” American Behavioral Scientist 56(4): 570-595.

Researchers have called for more studies of how organizations institutionalize the unfamiliar as taken for granted. This study answers this call by examining how an organization has advocated an unfamiliar activity, the prosumption of art. To show how particular means and ends become taken for granted, this research analyzes how the Burning Man organization has promoted a logic advocating the prosumption of art. Using an in-depth ethnographic study of the organization behind Burning Man, a weeklong gathering of 50,000 persons around a ceremonial bonfire of a 40-foot-tall sculpture in the Nevada Black Rock Desert, the author shows how the Burning Man organization codified and advocated what she identifies as an inclusive community logic, a set of beliefs and practices that promote artistic prosumption. Members sought to expand who may produce art by recasting producers and consumers as prosumers, what kind of art is produced by encouraging interactions via prosumption, and how art is consumed by imbuing prosumption with specific meaning via connection. However, conflicts about whether particular actions support or undercut the inclusive community logic have not only challenged the Burning Man organization’s authority to shape prosumption but also forced organizers to clarify the ambiguous contours between appropriate and inappropriate activities. This research makes three contributions: (a) It reveals how an organization can facilitate new conceptions of activities by promulgating a logic that highlights contrasts between not-yet-familiar and conventional means; (b) it delves into how an organization adjudicates among competing conceptions of appropriate activities, illuminating the promotion of prosumption specifically and the emergence of a logic generally; and (c) it synthesizes three separate literatures on the sociology of organizations, prosumption, and art.

2. Chen, Katherine K. 2012. “Laboring for the Man: Augmenting Authority in a Voluntary Association.” Research in the Sociology of Organizations 34:135-164.

Abstract: Drawing on Bourdieu’s field, habitus, and capital, I show how disparate experiences and “dispositions” shaped several departments’ development in the organization behind the annual Burning Man event. Observations and interviews with organizers and members indicated that in departments with hierarchical professional norms or total institution-like conditions, members privileged their capital over others’ capital to enhance their authority and departmental solidarity. For another department, the availability of multiple practices in their field fostered disagreement, forcing members to articulate stances. These comparisons uncover conditions that exacerbate conflicts over authority and show how members use different types of capital to augment their authority.

Burning Man film festival in San Francisco, June 12-13, 2010

Thursday, May 27th, 2010

For those of you in San Francisco, you have the chance to celebrate Burning Man’s history via film. Films include a documentary about the artist David Best, who constructed the temple that appears on the cover of my book!

Please read the official press release below:

“Burning Man Film Festival-San Francisco: A Unique Two-Day Film Retrospective to Commemorate 25 Years of Burning

(San Francisco, May 26th, 2010)—The Official Burning Man Film Festival will showcase 20 short and feature length films when it takes place on June 12-13, 2010 in San Francisco. The Film Festival will offer theatergoers a unique look at Burning Man through the eyes of filmmakers who’ve documented various aspects of the Burning Man event and culture throughout the years. Saturday’s “Then” line-up will feature films shot between 1991 and 2004 and Sunday’s “Now” queue boasts an array of films shot from 2002 to 2010. The festival will be held at the Red Vic Movie House at 1727 Haight Street, SF, CA 94117.

“This festival is a rare and unique opportunity to see Burning Man from the beginning,” said festival co-producer David Marr. “[The Film Festival] is a chance to see how [Burning Man] was created and what effect it has on us today.”

Program highlights include a Midnight screening of Juicy Danger Meets Burning Man by David Vaisbord on Saturday evening with a cocktail party, roving performers, and a grand raffle. On Sunday, David Best, known for his elaborate temple structures at Burning Man will be available for a Q & A before the screening of The Temple Builder, a film by Dearbhla Glynn and April Blake that looks closely at David Best’s life and work.

To view the Burning Man Film Festival-San Francisco program, visit www.burningman-filmfest.com.

The Burning Man Film Festival-San Francisco is one of several special events coming up in June to kickoff a year-long celebration of 25 years of Burning Man. For more information on upcoming events, please visit www.burningman.com.”